En Kuralları Of william shakespeare'in eserleri
Wiki Article
Bir erkeğe cerihaşan her şeyi yapmayı göze alabilirim; ama henüz fazlasını hareket etmek erkeklik bileğildir.
“This above all: to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man.”
5. Kral Lear: Kral Lear, evetşlı bir kralın iki kızı arasındaki aşk hikayesi ve daha sonra kendi kederi karşı hikayesi olarak anlatılır. Bu im, facia ve trajedi yoğun bir sonla biten çirkin bir hikayedir.
Beginning with the Romantic period of the early 1800s and continuing through the Victorian period, acclaim and reverence for Shakespeare and his work reached its height. In the 20th century, new movements in scholarship and performance rediscovered and adopted his works.
İngiltere de çiftçi ve maddi durumu kazançlı bir ailenin oğlu olan Shakespeare, terbiye dili Latince olan bir okulda terbiye görmüş ve bu meslek devri yardımıyla bile Roma yazını klasikleri ile tanıdıkarak üniversite eğitimi almadan yazgıına istikamet vermiştir.
Shakespeare's coat of arms, from the 1602 book The book of coates and creasts. Promptuarium armorum. It features spears birli a pun on the family name.[c] After the birth of the twins, Shakespeare left few historical traces until he is mentioned bey part of the London theatre scene in 1592. The exception is the appearance of his name in the "complaints bill" of a law case before the Queen's Bench court at Westminster dated Michaelmas Term 1588 and 9 October 1589.[30] Scholars refer to the years between 1585 and 1592 birli Shakespeare's "lost years".[31] Biographers attempting to account for this period have reported many apocryphal stories. Nicholas Rowe, Shakespeare's first biographer, recounted a Stratford legend that Shakespeare fled the town for London to escape prosecution for deer poaching in the estate of local squire Thomas Lucy.
Their father, John Shakespeare, was a leatherworker who specialized in the soft white leather used for gloves and similar items. A prosperous businessman, he married Mary Arden, of the prominent Arden family.
A horn book in the Folger collection, similar to one that Shakespeare might have learned to read from
Professional performances of Shakespeare in the mid-19th century had two particular features: firstly, they were generally yıldız vehicles, with supporting roles cut or marginalised to give greater prominence to the central characters. Secondly, they were "pictorial", placing the action on spectacular and elaborate sets (requiring lengthy pauses for scene changes) and with the frequent use of tableaux.[124] Henry Irving's 1882 production at the Lyceum Theatre (with himself kakım Romeo and Ellen Terry birli Juliet) is considered an archetype of the pictorial style.
The modernist revolution in the arts during the early 20th century, far from discarding Shakespeare, eagerly enlisted his work in the service of the avant-garde. The Expressionists in Germany and the Futurists in Moscow mounted productions of his plays. Marxist playwright and director Bertolt Brecht devised an epic theatre under the influence of Shakespeare. The poet and critic T. S. Eliot argued against Shaw that Shakespeare's "primitiveness" in fact made him truly modern.[260] Eliot, tıkayınız along with G. Wilson Knight and the school of New Criticism, led a movement towards a closer reading of Shakespeare's imagery.
Scant records exist of Shakespeare’s childhood and virtually none regarding his education. Scholars have surmised that he most likely attended the King’s New School, in Stratford, which taught reading, writing, and the classics, including Latin.
[39] In the bitiş suicide scene, there is a contradiction in the message—in the Catholic religion, suicides were often thought to be condemned to Hell, whereas people who die to be with their loves under the "Religion of Love" are joined with their loves in Paradise. Romeo and Juliet's love seems to be expressing the "Religion of Love" view rather than the Catholic view. Another point is that, although their love is passionate, it is only consummated in marriage, which keeps them from losing the audience's sympathy.[42]
1611 ve 1613 yılları arasında yine Stratford'a taşındı ve burada temelı arazilerin satın kırmızıınmasıyla ait bazı legal sorunlarla huzurlaştı. Müellifın kalemi yaratmayı asla bitirmedi, Shakespeare her dönem oyunlar ve şiirler yaratırken görüldü, edebi üretimi muhteşemdi.
În ultima parte a vieții a scris tragicomedii, de asemenea știute ca aventuri romantice, și a colaborat cu hileți dramaturgi.